Saturday, November 1, 2025
8:00 PM
Calvin Presbyterian Church
Conducted by: François Koh
Featuring: Josh Lau, Violin · Andrew Chan, Harp · Claire Lee, Flute · Jonathan Krehm, Clarinet

Program

Carl Maria von Weber (1786–1826)
"Oberon" Overture
Composed in 1826 as the curtain-raiser to Weber’s final opera, this overture is often performed as a separate concert piece. It blends shimmering fairy magic with heroic drama and opens with a haunting horn call and builds through rapid string passages and bold brass fanfares, foreshadowing the opera’s fantastical themes.
Mieczyslaw Karlowicz (1876–1909)
Violin Concerto in A major Op.8
Josh Lau, Violin
Completed in 1902, Karłowicz’s only violin concerto contains soaring melodies and richly resonant orchestration that seems to be modeled after the famous ones by Tchaikovsky and Bruch. The solo violin alternates between lyrical introspection and virtuosic brilliance, revealing the composer’s mastery of emotional storytelling. It is a full-blooded concerto in the grand Romantic tradition that was long forgotten after the First World War but has been recently rediscovered by intrepid violinists.
— Intermission (15 minutes) —
Joseph-Maurice Ravel (1875–1937)
Introduction and Allegro for harp, flute, clarinet, and strings
Andrew Chan, Harp
Claire Lee, Flute
Jonathan Krehm, Clarinet
Commissioned to showcase the expressive range of the Érard double-action pedal harp, Ravel’s 1905 chamber work has a dazzling interplay of textures. The harp leads with shimmering arpeggios, while flute, clarinet, and strings weave impressionistic motifs that evoke water, wind, and light in motion. Ravel apparently wished to stress the privileged position of the harp and wanted the piece to be considered a miniature harp concerto as well as the original version as a septet.
Pyoty Ilyich Tchaikovsky (1840–1893)
Romeo and Juliet Fantasy
This symphonic poem dramatizes Shakespeare’s tragedy with sweeping themes and vivid orchestration. It is based on three elements of the Shakespeare story – the first element is an introduction representing the saintly Friar Laurence, with a foreboding of doom from the lower strings. The second element is violent feud between the warring Capulets and Montagues, including a reference to the sword fight, depicted by crashing cymbals. The feud is portrayed musically through stormy brass and percussion. Finally, the third element is the love theme, achingly tender and unforgettable, which emerges in lush strings before a tragic climax. The English horn and viola represent Romeo, while the flutes represent Juliet.

Venue

Calvin Presbyterian Church

26 Delisle Avenue, Toronto, Ontario

Orchestra

Violin I

  • Frank Song Concertmaster
  • Paul Froese
  • Josh Lau
  • Lea Ollagnier
  • Adrian Pereira
  • Hiroko Sawai
  • Jesse Tamang
  • Carlos Vasquez
  • Dean Wang
  • Jennifer Wu
  • Nick Xie

Violin II

  • Michael Lee Principal
  • Susan Chan
  • Gillian Chen
  • Boekhren Karyostyko
  • Julie Kerekes
  • Jeanine Mollineau
  • Caroline Pai

Viola

  • Velma Ko Principal
  • Cendri Hutcherson
  • Ivanka Ivicevic
  • Veronica Koopmans
  • Madeleine Spence
  • Beverlee Swayze

Cello

  • Leanne Wright Principal
  • Tom Lee
  • Claire le Riche
  • Robert Rinkoff
  • Amit Rotem
  • Stephany Seki
  • Robert Wu
  • Rosalind Zhang

Double Bass

  • Anthony Damtsis Principal
  • Ian Werker
  • Stone He

Harp

  • Catherine Liu

Flute

  • Claire Lee Principal
  • Laurie Hamilton
  • Hyejin Yoon

Oboe

  • Eric Dai Principal
  • Klein Li
  • Althea Neblett

Clarinet

  • Jennifer Bucci
  • Daniel Choi

Bassoon

  • Robert Lu Principal
  • Zenghao Wang

French Horn

  • Chris Buchner Principal
  • Duncan Andrews
  • Rebecca Davies
  • Derek Ellis

Trumpet

  • Claire dos Santos Principal
  • Simon Leung

Trombone

  • Sophie Chiu Principal
  • Chenhao Gong
  • Shaiyan Keshvari

Tuba

  • Harrison Greenaway

Timpani

  • Timothy Francom

Percussion

  • Christopher Wong Principal
  • Scott McBride
Concert Poster